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莎士比亚十四行诗的形式之美

2015-03-25 08:43 来源: 互联网 作者:张龙彦 柏梅 浏览次数 5019


  As is seen in the above paragraphs, Shakespearean sonnet and Petrarchan sonnet differ in their overall layout. To be specific, the Shakespearean sonnet has a four part organization, with each of the former three quatrains focusing on a comparatively separate part of the central idea and the end couplet concludes with a resolution or climax while in the Italian sonnet, the first eight lines develop a central idea and the last six lines offer a resolution. There should not exist absolutely an answer to which form or organization is better. However, speaking of the transition of the feeling or emotions, Shakespearean sonnet is clearly better than Petrarchan sonnet. In the former three quatrains, the idea or emotion naturally develops more and more intense and in the final couplet the poet give a more philosophical conclusion or resolution. That’s just like the four steps in Chinese regulated writing, namely, opening, developing, changing and concluding. Chinese poet Feng Zhi also thought highly of the sonnet, for its unparallel features: “there are in this pattern of poem ups and downs, tension and relaxation, questions and answers, causes and effects, beautiful rhyme, and certain number of foots, which is convenient for the poet to distill objective truth from the subjective experience of life, and in turn, this kind truth contains profound emotion"(Feng Zhi, 1989: 23-25). This kind of form has advantage in expressing intense emotions or explaining an artistic truth. 
  Two well known poems will be included to illustrate the idea. One is Sonnet18 by Shakespeare and the other is When I Consider How My Light is Spent by John Milton. 
  Sonnet 18 
  Shall I compare thee to a summer's day? (a) 
  Thou art more lovely and more temperate: (b) 
  Rough winds do shake the darling buds of May, (a) 
  And summer's lease hath all too short a date (b) 
  Sometime too hot the eye of heaven shines, (c)  And often is his gold complexion dimm'd; (d) 
  And every fair from fair sometime declines, (c) 
  By chance or nature's changing course untrimm'd (d) 
  But thy eternal summer shall not fade (e) 
  Nor lose possession of that fair thou owest; (f) 
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